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His relationship with his parents is no less complex. “Surely, my sins have found me out,” he sings on “Death & Taxes.” “God rest my soul, but show me out.”
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Stained-glass windows hang overhead, fitting for Caesar’s ruminations on his complicated faith. Maybe that’s why his crystalline R&B feels so different, bearing more in common with D’Angelo or Jeff Buckley than, for instance, The Weeknd (either Tesfaye’s doom-and-boom early stuff or svelte and Swedish reinvention).ĭuring his debut, Caesar strums a Telecaster, plinks a keyboard and sings with deserved confidence. Most pop wasn’t welcome at home, so as his horizons exploded - into funk, rap, ’70s stoner rock, even a “hard Billy Talent phase” - he kept it a secret. He grew up on urban gospel acts like Take 6, Commissioned and Kirk Franklin. Adherents of the Seventh-day Adventist Church, Caesar’s parents - his dad from Jamaica, his mother from Barbados - were “extremely religious.” “They would worship every morning,” he recalled. His earliest performance memory is trilling “Come, Thou Fount” at church one Sabbath when he was around 8.
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Still, Caesar prepared for this “debut” his whole life. Now that I’m receiving this validation from outside, it’s almost dangerous - because I’m not sure if I always had it from the beginning.” “I don’t want to get caught up because now I’m in a different position than I was a year ago.